Adanne, Orobosa Ikponmwen’s Nigerian family drama about three generations of Igbo women, is listed for screening at the Africa International Film Festival in Lagos today, Tuesday, 3 November 2026.

The festival’s published schedule places the film in the 5:45–7:30pm block on Screens 1 and 3 at Landmark. These are Lagos local times. The official film entry confirms the director, Nigerian production, 2026 year and 92-minute running time.

The timing needs a careful distinction. A 2 November Streamdorm report gives 5:30pm and Screen 1. The festival’s own schedule is the stronger planning reference; viewers should confirm current tickets and any programme changes before travelling.

### A family story with a particular setting

AFRIFF’s synopsis describes a young woman seeking recognition in a family that favours male children. The strain reaches into her relationship with her mother, while the film follows experiences across three generations.

The premise offers a specific route into questions of identity, expectations and belonging. It should not be treated as a documentary statement about every Igbo family, or as evidence that all women share the same experience.

A family drama can make a broad social question accessible through the choices of individual characters. Viewers can consider where care becomes pressure, how expectations are passed on and whether different generations understand freedom in the same way.

Those are questions suggested by the announced story, rather than a review of the finished film. This preview does not claim to have attended the screening or predict the audience’s response.

### The people behind the feature

Streamdorm identifies Gold Gerry as writer and producer and describes Adanne as Melon House Production’s first feature. Its account names Lotanna Nwose alongside Gerry as a producer.

What Kept Me Up’s festival guide lists Onyinye Odokoro, Mmesomachi Chilaka and Kelvinmary Ndukwe among the cast. The publication also places the film within Ikponmwen’s current festival work.

The production has a longer history than today’s screening. A November 2025 report by Eva Anya announced the project as an English- and Igbo-language family drama preparing for production.

That earlier account is useful as development context. It does not make the film a new production announcement this week; the present news is its opportunity to meet audiences within the Lagos programme.

### A festival route beyond one city

What Kept Me Up reports that Adanne reached AFRIFF after receiving a jury award at the All African Independent Film Festival in Rwanda. It also identifies a planned Women of the Lens festival stop in London in November.

The same guide says Trino is handling distribution and sales representation. That is a meaningful distinction from a confirmed release on a named streaming service or a complete commercial cinema schedule.

For diaspora audiences, festival movement can create opportunities to encounter a film, but a selection in one place does not establish availability everywhere. Local dates, admission conditions and subsequent distribution announcements remain important.

The film’s path also illustrates several different stages of reaching an audience: making the feature, securing a screening, building recognition and working on sales. Progress at one stage can support the next without guaranteeing it.

### Why the screening encounter matters

For audiences in Lagos, a festival showing creates a shared setting in which the family story can be considered beyond a synopsis or trailer. Its local cultural frame can meet viewers with different experiences of language, generation and household expectations.

For filmmakers and exhibitors, the practical task is to help that encounter happen: accurate programme information, accessible ticket routes and clear communication about the film itself.

The published screening block lasts longer than the listed running time. It should not be read as a promise that every minute will contain the feature, nor as confirmation of a filmmaker discussion that the sources do not announce.

RIM’s AFRIFF programme preview explains the wider festival and industry setting. Adanne offers a closer look at one Nigerian feature within it.

Today’s listing gives the film a concrete audience opportunity. Its longer reach will depend on the screenings and distribution arrangements that follow.

*Illustration: AI-generated empty chairs, a screenplay and a film reel in an imagined setting; no actual film scene, actor or venue is depicted.*

Why this matters

Locally grounded family stories contribute to the range of Nigerian cinema seen at home and abroad. Adanne’s festival screening offers audiences a specific Igbo-centred drama while its reported festival and sales activity shows how a feature seeks wider reach. For diaspora viewers, distinguishing selection and representation from confirmed local availability prevents false expectations. Accurate screening information also matters immediately: the official timetable differs from an earlier media report.

Sources

Topics: Nigeria · Adanne · AFRIFF · Igbo stories · Orobosa Ikponmwen · Film audiences

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